The Universal Unit System

     This semester I took a Ballroom class at my university and it was fascinating. Not only did we learn the dances (Country Two-Step, Cha Cha, Waltz, Tango, Nightclub Two-Step, and some others) but we learned about the Universal Unit System which is a way that you can measure music to make it easier to learn. It was designed by Skippy Blair and it is a pretty awesome way to learn difficult dances. 

     We had to write a paper to show we understood the concepts from class, here's some of it: 

     The Universal Unit System is designed to describe the weight changes in dance. Each two beats of music is one unit and the weight changes can be described in three ways: single, double, and triple. A single unit is one where there is only one weight change in the two beats. A double is two weight changes in those two beats, and a triple is three weight changes in two beats of music. There are two different types of single unit: a standard and a delayed single. A delayed single differs from the standard or regular single in that the weight change is on the second beat of the unit, rather than the first. There is also an empty unit where the dancer does not have a weight change.

     How these measurements appear on paper is with dots and slashes. The single unit will have either a dot and slash or a slash and dot—the dot is a weight change while the slash is a hold of some sort: a tap, ronde, or some other movement that does not shift weight from one foot to the other. The double unit will have two dots for a single unit, and the triple will have two large dots with a smaller one in the middle. This smaller dot means the triple step is syncopated: it doesn’t have an even distribution of the time between steps. The steps are placed against cards measured for the beat of the song. In the case of a Country Two-step, the dance is set to 4/4 time (4 beats of music with the quarter note determining the beat) and the steps are single, single, double. It looks like:  The “&a” between each count is how the space between each beat is measured. How 

this is counted is a “slo-ow, slo-ow, quick, quick, slo-ow, slo-ow, quick, quick” saying each syllable on a beat. The difference in the notation between a slow in Country Two-Step and a staccato dance like Tango is a smaller dot below the dot like musical notation has a small dot to indicate staccato.

     I really enjoyed the class and this system is something I think I'll be able to use in the future when I try to learn new dances.

Just a thought...

Stephie

Rediscovered Love

     This evening was a night out of a dream. I've always enjoyed music and the call from my mom about tickets to the Tacoma Symphony Orchestra came as a wonderful shock. My first worry was that I wouldn't be able to convince a friend to go with me (there were two tickets and I didn't want to take the opportunity form someone who could find a friend to go with) but it wasn't that big of a deal: my roommate decided to postpone her date night and join me.
     We dressed up in our finery--can I just point out that something like an orchestra concert should be attended by people in their best dress not jeans and a t-shirt, even if it's your kid's elementary school production, show you appreciate the time the musicians have put in and put on something that takes effort--our outfits weren't superbly formal, but tasteful dresses with reasonable heels for walking around downtown Tacoma were still a lot dressier than what we wear to school and work every day. We arrived in time for the show, but parking was terrible and I made it from the car just in time to take my seat before the introductory remarks began.
     One of the directors of the Orchestra introduced their sponsors from a local university and the conductor. The sponsors had their gratitude and fund-raising spiels, then the conductor got up to the microphone. The TSO had a guest conductor for the night: Paul Haas. Haas has an interesting background, but that's not really what I'm concerned with--he is hilarious! He directed a surprise for the audience; a piece he'd composed himself based on a of classic pieces he'd heard, then proceeded into the expected program.
     First was a piece by a local composer: Alexandra Bryant. It was beautiful, wavering back and forth between smooth, typically orchestral phrases and staccato sections that each draw the attention to the differences while allowing the listener to sink completely into her work. The piece, called Strange Attractors, was varied and showcased what a symphony orchestra is capable of.
     Next was Beethoven. Piano Concerto No. 3 in C minor, Op. 37 was fun to listen to: the pianist was also a guest--Stephanie Leon Shames--and the interplay between the piano's line and the orchestra's began to sound like a call and response. The part that surprised me most about the pairing was Ms. Leon Shames's lack of score. She didn't use music at all during the entire half-hour concerto, playing from memory. I have been part of a choir for over ten years and still have trouble with pieces longer than eight minutes, and the piano requires more effort to make sure to hit the right keys and put the harmonies are in the right places. I enjoyed the faster pace of the piece, it seems like people like to play classical music that drags on and the Beethoven piece didn't feel like it took half an hour.
     After intermission the final piece was Brahms's Symphony No. 4 in E minor, Op. 98. Everyone (Haas and the program notes) commented on how sad the piece was, and I could see it, but what drew me was the constant movement and the joy that permeated the piece. Even in the slower portions, the melancholy was interlaced with a joy that drew the sound higher. It was as if Brahms was portraying the search for something lost--once it is found the searcher is glad, happy, joyful, but until then the searcher is upset with a hint of joy to come. The piece's premier was Brahms's last performance in Vienna as he died from late-stage liver cancer in the late nineteenth century and there is some of that ending feeling. However, the farewell is a goodbye based in shared experiences and the happiness of the memory together. It was my favorite piece of the night.
     I have not been to a professional symphony in many years--probably since middle school--and tonight was an opportunity to rediscover a love for classical music and the pomp of going out to the theater. I hope to continue the practice in the coming years.

Just a thought...
Stephie

New Obsessions: BBC America

     This last week was Spring Break for my university so I've had some free time on my hands, actually I've had a lot of free time on my hands. I started watching Doctor Who this evening--it's the first new episode since Christmas--but got caught by the new shows that followed.
     Orphan Black and The Nerdist were interesting: Orphan Black is about a woman who watches someone who looks just like her jump in front of a train. She takes on the woman's identity and strange things start to happen in the dead woman's life. The Nerdist is about all things nerdy. The host, Chris Hardwick, described the show as a place where any thing that people can obsess over, talk about, argue about, then talk about more can be explored and talked about. I thought it was an accurate description of being a nerd; it's also a description John Green used when talking about nerds and nerdiness in his vlog. But it's also an accurate description of Tumblr, so The Nerdist is Tumblr in a television show.
     It looks like we, as a society, are becoming more interested in talking about our interests in an informal and impersonal manner. What happened to book clubs and other organizations where people meet up in real life and talk about things?
     I know I'm a culprit of this same anti-social mingling; I am, after all, talking to you from my computer while you're out there on your computer or smart phone, but what happens outside of these glowing boxes? Will we revert to finding meeting places and talking about things just as people have started writing letters again? Or will we stay tethered to the magic box that allows us to travel to an alternate world where all the other people are traveling to talk about their obsessions.

Just a thought....
Stephie